Over the past several years The Slap Bass Program has become the undisputed bible of Bass Institute of Technology (BIT) instructor Alexis Sklarevski is a. Alexis is the author of the critically acclaimed instructional DVD, The Slap Bass Program, and also co-produced Fingerstyle Funk, the instructional DVD by. DESCRIPTION. Over the past several years The Slap Bass Program has become the undisputed bible of slap technique. The video has garnered more.
- The Slap Bass Program Hudson Music Publisher: Video Progressions Instructor: Alexis Sklarevski Length: 83 minutes Format: DVD Bass Lessons MSRP: 39.95 DVD or 19.95 Download from Hudson Music Alexis Sklarevski instructs a highly respected masterclass on slap bass style.
- Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
- Nov 09, 2000 The Slap Bass Program melted my brain. But Sklarevski takes it about 10 levels beyond that. What you need to do is just sit down with your bass push play.
| Author: | Dout Mozil |
| Country: | Hungary |
| Language: | English (Spanish) |
| Genre: | Medical |
| Published (Last): | 5 July 2004 |
| Pages: | 306 |
| PDF File Size: | 7.31 Mb |
| ePub File Size: | 7.66 Mb |
| ISBN: | 225-8-64001-458-3 |
| Downloads: | 6336 |
| Price: | Free* [*Free Regsitration Required] |
| Uploader: | Nemi |
Hudson Music UK – Alexis Sklarevski: The Slap Bass Program
Rocco and David Garibaldi TOP drummer are one of the most interesting and creative rhythm sections ever. At one point I stood right beside him and basz for about three steps…I made him laugh.
Product Description. Over the past several years The Slap Bass Program has become the undisputed bible of slap technique. The video has garnered more accolades. I've been looking into purchasing Alexis Sklarevski's Slap Bass Program Video from Video Progressions. My question: Is there a book that comes with.
I love working on tunes and coming up with parts but there have been many times when whatever I came up with was changed and molded and I ended up playing something totally different than when we started.
The single most important thing someone can learn by going to school is how to continue teaching themselves for the rest of their lives. The best thing was that I learned how to read music at prkgram same time I learned to read words. What can a student expect to get out of the training there? Elap the same time, I was in school and all my friends were getting into rock and jazz by playing guitar and drums. I like a good tune.
How do you help your students find that balance between cultivating their musical soap on the one hand, while preparing them to make an actual living in the music industry on the other?
Sk,arevski there we started playing real gigs and that finally led to me moving to Los Angeles, going to BIT and getting more and more serious about becoming a musician and trying to do it for a living. I actually started out on piano when I was 5 or 6 years old and continued until I was 15 or akexis. Of course the bass program covers all the fundamental music subjects like technique, harmony, theory, reading etc. The great thing about modern technology is that now anyone can make an album in their bedroom.
I was probably as good a sight-reader at the age of 15 as I am now! Other than music, I like to spend time riding my mountain bike and hiking. What kind of aspirations do most of your incoming bass students have? Of course there were lots of close-ups. At this point you can have a finished tune or complete CD and never use a single musician for anything. I hhe David involved in that because I knew he would do a great job.
Interview – Alexis Sklarevski
You must have an good story or two you can share. A year or two later I met a couple of guitar players and we started jamming together and trying to learn tunes. Currently, he continues recording and performing with many artists in the U. All the bass instructors at MI are working, professional musicians who do a lot of very cool stuff with a great range of artists.
For me it was all about seriously studying music and trying to play all the time. It still is in a lot of ways. People are still watching it and buying it.
At least not when it comes to music. The wardrobe lady brought out this long purple beard and gave it to me to wear, which everyone in the band thought was very funny. What kinds of things do you like to do that are not eklarevski musically oriented? Several of them are also very progdam arrangers, composers and recording engineers. Previous Interview Dec 17 Reid Anderson.
I would love to go out on tour again, preferably with someone I really like. They do sessions, gigs, tours…whatever. Your email address will not be published. Actually, it was a mega-popular videotape even before the prevalence of DVDs! Interview — Alexis Sklarevski.
Leave a Reply Cancel reply Your email address will not be published. I never took any bass lessons, so I spent quite a bit of time practicing in the basement. Working at MI is only part sklareski my musical life, as it should be. I have never stopped playing out and doing gigs, sessions and whatever else comes along.
That was really me creating a project where I would get to work with a long-time hero of mine. The Complete Guide and has done bass clinics throughout Japan and Europe. You have to be open to that. Learn more of the software I have on my computer. I worked through a pretty decent repertoire of classical music and I could play some Beethoven, Bach, Chopin waltzes…that sort of stuff.
I would do these piano festivals and recitals and I just remember being so nervous.
At that time there were a few books and videos out that covered slap technique but none that sort of broke everything down into manageable pieces and explained it. The reason I started playing bass was a combination of my normal personality alexks was to NOT be the front person in any way and hearing Paul McCartney and Leland Sklar.
The Slap Bass Program, Instructional/Bass/DVD – Hal Leonard Online
David got my progrwm from someone and we set out to make a real instructional video and not just an expensive business card. I was very lucky that I worked with David Schaub who was the producer and real brains behind that particular project. The Beatles and James Taylor…that was it for me. Those first chords were just spine-tingling…wow…here I am doing this tune which, up until then, I had only listened to on the album. New Interview Dec 25 Geddy Lee.
I could have never done it slal my own. Tell me about the bass program at the Musicians Institute. There are still a few people I would do something like that with if they wanted to: